The Valley
of the Queens
This place is called "Baban array of
mistresses" as the Egyptian writings allude to it as "Ta St
Nefro" which means wonderful place and is situated on the southern tip of
the graveyard of Tiba, a place committed to the tombs of rulers, princesses and
sovereigns beginning from the nineteenth family until the finish of the
twentieth family, Some tombs going back to the seventeenth Dynasty. This valley
contains more than seventy graves, a large portion of which are free of
writings, engravings and scenes. A standout amongst the most essential tombs of
this valley is the tomb of Nefertari, spouse of the wife of King Ramses II,
bearing number 66 and the tomb of the sovereign "
An Italian undertaking under the supervision of
Ernesto Sekia Barreli in 1903-1905 was a standout amongst the most vital tombs
found by the two past tombs: the tomb of the sovereign "Kha Am Wast",
number 44, child of King Ramesses the Third, and minister of the god Ptah. For
the most part from the hall prompting the entombment chamber where there is the
pine box and regularly contain the internment chamber on sections and there
might be side rooms either in the hallway or in the entombment chamber.
This territory is known for its delicate rocks,
which are not reasonable for drawing or etching, not at all like the Valley of the Kings. The craftsman was compelled to take
after a strategy to encourage the illustration and etching on the dividers of
the tombs there by introducing a layer of mud secured with a layer of white
mortar on the dividers required for etching or painting. These tombs clear the
most vital scenes, speaking to the expired before the divine beings and the
different divine beings with increments to a few scenes and writings from the
Book of the Dead. It is trusted that each grave had a hallowed place or sanctum
some place over the world's surface keeping in mind the end goal to perform
ceremonies that advantage the expired in the other world. There is a
probability that the Valley of the Queens was surrendered like the Valley of the Kings after the period of the Ramesses and
was not taken as an imperial family.
The tomb of Queen Nefertari
Researchers contrast in decision on the
perspectives of this graveyard, some observe that a portion of the perspectives
don't achieve the request of flawlessness, particularly in the back piece of
the entombment chamber, while others trust that the Egyptian craftsman has
achieved the flawlessness in the shading of these scenes and precise lines
strong, The famous Queen speaks to the craftsman. The craftsman has made a
feeling of excellence in the watcher, particularly since the scenes here are
engraved with a slight feature and shaded in splendid hues over a thin layer of
mortar.
The burial ground starts with a sliding
staircase with an incline prompting the passageway to the main lobby, which is
described by stone racks introduced on the left and confronting within. They
were most likely devoted to statues or offerings and were enlivened with
Egyptian finish. On the southern mass of the burial ground, specifically to one
side of the inside, there is a perspective of Queen Nefertari, worshiping the
god Osiris. On the three exteriors of the divider there are three perspectives
speaking to the god Anubis, the goddess Nate, lastly the exemplification of the
hieroglyphic sign.
At that point we see a dream speaking to the
god Horus, the child of Isis, who drives the
Queen to the god Horat Akhti and the goddess Hathor. At that point we see on
the other portion of the eastern divider a photo of God. At that point we take
a gander at the northern mass of this space to see the popular perspective of
the Queen with the goddess Isis. On its three veneers is the epitome of the
section "granddad" and afterward a view speaking to the goddess was
stolen lastly speaks to the god Osiris.
We see to one side of within the burial ground
specifically the well known scene that speaks to the Queen sitting in a corner
playing a diversion like Baldama before a flying creature Alba even with a man
symbolizes the soul of the antiquated Egyptian and remained here over the lodge
enhanced with Egyptian polish and afterward the sign demonstrates the sister
between the two One of them symbolizes yesterday and alternate symbolizes
tomorrow, and afterward the perspective of the feathered creature fledgling,
the Holy Bird in Heliopolis, the craftsman painted in light blue and we see
before him the mummy lying on a bed inside the compartment between each of the
goddess Isis in the state of a hawk on the privilege and the divine beings
Naphthis in the state of a hawk on the left, Recorded on whatever is left of
this The northern divider is from the Book of Gates.
On the off chance that we go into the room, we
will see on the privilege the god Ra in the picture of a mummy with a dark
smash head between the divine beings Isis and Neptis, and afterward you will
see it after that. The kingdom
of Nefertari is worshiped
by a bull and seven bovines. On the left we see the ruler, exhibiting material
to the god Ptah, who is captured inside his lodge. Behind him is a mainstay of
the heavenly "sacred" column. On the divider inverse, two statues
speaking to Queen Nefertari, offering offerings and incense, Of the Atom on the
right, and the northern divider there is a scene speaking to the Queen, which
offers an artwork and a magnet for God Jahuti the lord of composing and science.
We see the passage over the passageway before
diving on the slope prompting the internment chamber. The four offspring of
Horus, Amsti with a red head, a monkey head, a dowamot with a bird of prey
head, and a dairy animals with a jackal head and a photo of a divine being with
a hawk and a few divine beings. The dividers of the sliding staircase are
brightened with wonderful perspectives, the most critical of which is Queen
Nefertari, offering two vases of wine or drain to the goddess Hathor, behind
which the goddess is burglarized and behind which we see the goddess Maat
winged notwithstanding a bowing man. On the two dividers there is additionally
a photo of a huge winged serpent securing the name of the Queen. Beneath this
scene we see a photo of the god Anubis in the state of a jackal lying over his
lodge and pictures of Isis and Neptis.
At long last, we touch base at the internment
chamber with four sections in two lines. Its exteriors are enhanced with the
customary scenes that speak to the ruler in their distinctive association with
the divine beings and the divine beings. Among these sections there is a huge
hole devoted to the ark, which is plunged from the two sides by a little
staircase. The entombment chamber is portrayed by three side chambers,
notwithstanding the inside either the scenes of the internment chamber Voghalha
pounded, a book of entryways.
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