Found
somewhat south-east of the gigantic Tharabar Gate simply outside
Bagan's old city divider stands the - regardless of whether not crisply
painted - lovely Ananda Temple. The Ananda has the Bagan Monuments
Inventory number 2.171. It is Bagan's most great and most went to
sanctuary; a perfect work of art of Mon engineering with Indian
components consolidated keeping in mind the end goal to give it an
Indian touch and make a 'Nanda Mula Cave Temple Look'. The explanation
behind this I will clarify somewhat facilitate into the article.
One side of the Ananda's focal structure measures 175 feet/53 meters. The rooftop over the focal structure involves five in periphery progressively reducing patios, every one working up on the past bigger one. Out of the deepest, littlest and most elevated porch rises the 'Sikhara'. This is a 25 layer colony like superstructure beat by the brilliant stupa, which thus is topped by a 'Hti taw' as the upper umbrella of a sanctuary or pagoda is brought in Burmese.
The sanctuary's Sikhara has five in vertical grouping masterminded windows and achieves an aggregate stature of 168 feet/51 meters over the ground. The four littler structures ascending from or more the four corners are little pagodas and down-scaled duplicates of the fundamental sikhara. The general outline effectively creates the worn out state of the Himalayans.
Caused by the overwhelming seismic tremor in 1975 the smooth sanctuary supported serious harm. In any case, it was moderately speedy repaired and the Ananda is as yet Bagan's most lovely and best safeguarded sanctuary.
The Ananda was worked by ruler Kyanzittha, who is otherwise called Thiluin Man or 'Warrior Lord'. He led the kingdom of Pagan for a long time from 1084 A.D. to1112/13 A.D. furthermore, lead the capital Pagan into what has turned out to be known as the 'Period Of Temple Builder'. Since he was a profoundly religious man he conveyed the working of religious landmarks to an unheard of level what formed Pagan into what was known as the 'City of Four Million Pagodas'. Yet, this isn't all; under Kyanzittha's control Pagan likewise thrived significantly in monetary and social terms. This he accomplished on account of the exceptionally talented Mon individuals conveyed to Pagan by his dad lord Anawrahta after the triumph over the Mon at Thaton.
As indicated by legend lord Kyanzittha built up the plan to assemble this sanctuary enlivened by the stories of eight Indian priests who revealed to him that they had lived in the 'Nanda Mula Cave Temple', an amazing sanctuary in the similarly incredible Shandamadana mountain what is really the Nanda Devi mountain in the western Himalayas (Sanskrit for 'house snow').
The development of the Ananda Temple was finished in 1091 A.D. This set in the meantime a conclusion to the life of its extremely capable engineer who was executed by ruler Kyanzittha himself keeping in mind the end goal to stay away from the sanctuary's duplication.
Entering the Ananda's principle structure through its western passage there are two impressions of Siddhartha Gautama Buddha. They are mounted on platforms and every one of them is as endorsed in the old sacred texts isolated in 108 sections. In the sanctum behind them are two pictures portraying ruler Kyanzittha and his 'Ga nar standard mouk kha' (primate/diocese supervisor) Shin Arahan, the Mon pongyi who changed over King Anawrahta to Theravada Buddhism.
Shin Arahan kicked the bucket in 1115 A.D. at 81 years old in the wake of having served four rulers, specifically Anawrahta (who ruled from 1044 to 1077), Sawlu (who ruled from 1077 to 1084), Kyanzittha (who ruled from 1084 to 1112/13) and Alaungsithu (who ruled from 1112/13 to 1167). Behind the two statues is the enormous statue of Gautama Buddha who, by implication however, may be associated with the sanctuary's name.
The inward paths are lined from one end to the other and floor to roof with lines of specialties containing situated and standing Buddha pictures. The Buddha statues in the lower specialties are shielded from being harmed or stolen by metal lattices.
Outside on ground level at the sanctuary's corners are 'Chinthes' and 'Manokthihas' (legendary animals half-lion half-man that resemble nats emblematic of gatekeepers. Their heads and middles are human and their rump are that of a lion.) Up at the edges of the principle sikhara and porches are statues of nats. Wherever one goes in Burma it doesn't take long and one sees them; they are essential watchmen and accordingly loved by everybody and inescapable; at home on modifies, in nat houses on overhangs, in gardens, in trees, in sanctuaries and pagodas.
The Ananda Temple is a passage sanctuary. Its extents are of uncommon amicability based on the design idea of a supposed 'Greek cross' of which each of the four arms are of equivalent length with an inside arch.
The lower floor of the sanctuary is a chessboard designed labyrinth of paths that partitions the ground floor into 84 fields that are symmetrically masterminded around the inside. The waiting room/vestibule of the western principle entrance is one end of the two tomahawks that constitute the middle cross with every one of its closures pointing at one of the four cardinal focuses. The vestibule or yard has on the left and right side a passage. In the event that one draws a line interfacing the two passageways the line isolates the vestibule in two equivalent parts.
The following way is the external hall that is running parallel to the four sides of the internal structure, in this manner shaping a square as does the following passageway that structures the inward square of the two.
The internal way is running along the four sides of the inside block with its four specialties pointing in course of the four cardinal focuses. Every one of these specialties is lodging an enormous teak Buddha statue. Entering the Ananda from west and looking straight down the passageway into the sanctuary's inward section one sees the lower some portion of a couple of legs and feet. That are the legs and feet of the statue of Siddhartha Gautama Buddha (c 563 to c 483 BC), which is confronting west. Gautama Buddha is the 28th Buddha in a long queue that is covered in the fog of myth and legend starting with Tanhankara the first Buddha.
In the specialty toward the east is a statue of Konagamana, the 26th Buddha, in the one toward the north Kakusanda, the 25th Buddha and the one toward the south Kassapa, the 27th Buddha. The present statues are altogether made of wood. There are individuals who say that Kassapa (south) is made of bronze. This isn't genuine in light of the fact that lone the first was. This duplicate here is cut out of teak. The statues of Kakusanda and Kassapa are said to be the first statues though those of Gautama and Konagamana are later duplicates. The firsts were crushed; Kassapa in all likelihood by chemists. Concerning Konagamana some say by a fire touched off by a reckless admirer's light or oil light others say by sanctuary criminals. The reality remains that new statues must be made.
The statue of Gautama Buddha has a tallness of 28.5 feet/9.5 meters. The majority of the four Buddha statues are of nearly a similar tallness and delineate the individual Buddha in a standing stance however with two distinctive cape styles and additionally unique arm positions and hand signals. These diverse emblematic stances/motions and methods for situating legs, feet, arms, hands and fingers are called 'mudras' what is Sanskrit and signifies 'sign' or 'token'.
To secure the Ananda the designer put by lord Kyanzittha's directions, outside the sanctuary eight nat pictures and a sum of one hundred forty eight peaked chinthes'. These statues are guarding the passages, the edges of the base and porches/rooftops and in addition the sikhara of this sanctuary.
The hall dividers and the upper patios are fixed with one thousand four hundred fifty tiles. At the base are around four hundred of them. They are delineating scenes from the 'Jatakas'. The name Jataka has its foundations in the Sanskrit word for 'birth' or 'conceived under'. They incorporate the greater part of the stories of Siddhartha Gautama Buddha's distinctive presences previously he moved toward becoming 'Buddha', the 'Illuminated one'. The early group of Buddhism, the 'Tipitaka' (Pali for 'Three Baskets'), involves a sum of five hundred forty seven such stories. These Jatakas that likewise contain references to the prior Buddhas and Gautama Buddha's lessons on mental train and profound quality are utilized to educate about good temperances and the law of 'Karma' (Sanskrit for 'activity'). Karma is 'ones activities and their impact on this or potentially future lives'. The story is delineated here at the Ananda Temple exceptionally point by point in a progression of 80 most skilfully cut tiles. It takes genuine experts to make something as excellent as this. These ones are not as common Terracotta tiles but rather cut from volcanic stones from Mt. Popa. They are masterminded in two levels and can be seen on the lower some portion of the external way of the Ananda Temple.
Aside from the way that the Ananda sanctuary is one of Burma's fundamental Buddhist journey locales that is during the time of extensive significance to Buddhists (and in addition remote guests) the surely most essential time is the Burmese month of Pyatho (December/January) when the Ananda Temple Festival happens. Different pagodas and sanctuaries too have celebrations and a large portion of them are commended amid the dry season yet the greatest of all is the Ananda celebration. This year (2015) the celebration is commended from the fourth of January to the nineteenth of January and the celebration's high-time is on the day preceding the full moon day, at the full moon day and the day after the full moon. Its peak is a great morning parade in the sanctuary's patio on the full-moon day of Patho. This yearly held celebration is an especially huge, vivid, engaging and upbeat undertaking and an occasion not to be missed while being in Bagan.
The fundamental purposes behind the celebration are to venerate Gautama Buddha, praise the establishing of the Ananda Temple, remember critical occasions in its history, for example, its sanctification and gather gifts for the subsidizing of repair and upkeep of the sanctuary structures.
One of the intriguing parts of this celebration are maybe the processions of bullock-trucks with individuals that originate from everywhere throughout the nation to offer th
One side of the Ananda's focal structure measures 175 feet/53 meters. The rooftop over the focal structure involves five in periphery progressively reducing patios, every one working up on the past bigger one. Out of the deepest, littlest and most elevated porch rises the 'Sikhara'. This is a 25 layer colony like superstructure beat by the brilliant stupa, which thus is topped by a 'Hti taw' as the upper umbrella of a sanctuary or pagoda is brought in Burmese.
The sanctuary's Sikhara has five in vertical grouping masterminded windows and achieves an aggregate stature of 168 feet/51 meters over the ground. The four littler structures ascending from or more the four corners are little pagodas and down-scaled duplicates of the fundamental sikhara. The general outline effectively creates the worn out state of the Himalayans.
Caused by the overwhelming seismic tremor in 1975 the smooth sanctuary supported serious harm. In any case, it was moderately speedy repaired and the Ananda is as yet Bagan's most lovely and best safeguarded sanctuary.
The Ananda was worked by ruler Kyanzittha, who is otherwise called Thiluin Man or 'Warrior Lord'. He led the kingdom of Pagan for a long time from 1084 A.D. to1112/13 A.D. furthermore, lead the capital Pagan into what has turned out to be known as the 'Period Of Temple Builder'. Since he was a profoundly religious man he conveyed the working of religious landmarks to an unheard of level what formed Pagan into what was known as the 'City of Four Million Pagodas'. Yet, this isn't all; under Kyanzittha's control Pagan likewise thrived significantly in monetary and social terms. This he accomplished on account of the exceptionally talented Mon individuals conveyed to Pagan by his dad lord Anawrahta after the triumph over the Mon at Thaton.
As indicated by legend lord Kyanzittha built up the plan to assemble this sanctuary enlivened by the stories of eight Indian priests who revealed to him that they had lived in the 'Nanda Mula Cave Temple', an amazing sanctuary in the similarly incredible Shandamadana mountain what is really the Nanda Devi mountain in the western Himalayas (Sanskrit for 'house snow').
The development of the Ananda Temple was finished in 1091 A.D. This set in the meantime a conclusion to the life of its extremely capable engineer who was executed by ruler Kyanzittha himself keeping in mind the end goal to stay away from the sanctuary's duplication.
Entering the Ananda's principle structure through its western passage there are two impressions of Siddhartha Gautama Buddha. They are mounted on platforms and every one of them is as endorsed in the old sacred texts isolated in 108 sections. In the sanctum behind them are two pictures portraying ruler Kyanzittha and his 'Ga nar standard mouk kha' (primate/diocese supervisor) Shin Arahan, the Mon pongyi who changed over King Anawrahta to Theravada Buddhism.
Shin Arahan kicked the bucket in 1115 A.D. at 81 years old in the wake of having served four rulers, specifically Anawrahta (who ruled from 1044 to 1077), Sawlu (who ruled from 1077 to 1084), Kyanzittha (who ruled from 1084 to 1112/13) and Alaungsithu (who ruled from 1112/13 to 1167). Behind the two statues is the enormous statue of Gautama Buddha who, by implication however, may be associated with the sanctuary's name.
The inward paths are lined from one end to the other and floor to roof with lines of specialties containing situated and standing Buddha pictures. The Buddha statues in the lower specialties are shielded from being harmed or stolen by metal lattices.
Outside on ground level at the sanctuary's corners are 'Chinthes' and 'Manokthihas' (legendary animals half-lion half-man that resemble nats emblematic of gatekeepers. Their heads and middles are human and their rump are that of a lion.) Up at the edges of the principle sikhara and porches are statues of nats. Wherever one goes in Burma it doesn't take long and one sees them; they are essential watchmen and accordingly loved by everybody and inescapable; at home on modifies, in nat houses on overhangs, in gardens, in trees, in sanctuaries and pagodas.
The Ananda Temple is a passage sanctuary. Its extents are of uncommon amicability based on the design idea of a supposed 'Greek cross' of which each of the four arms are of equivalent length with an inside arch.
The lower floor of the sanctuary is a chessboard designed labyrinth of paths that partitions the ground floor into 84 fields that are symmetrically masterminded around the inside. The waiting room/vestibule of the western principle entrance is one end of the two tomahawks that constitute the middle cross with every one of its closures pointing at one of the four cardinal focuses. The vestibule or yard has on the left and right side a passage. In the event that one draws a line interfacing the two passageways the line isolates the vestibule in two equivalent parts.
The following way is the external hall that is running parallel to the four sides of the internal structure, in this manner shaping a square as does the following passageway that structures the inward square of the two.
The internal way is running along the four sides of the inside block with its four specialties pointing in course of the four cardinal focuses. Every one of these specialties is lodging an enormous teak Buddha statue. Entering the Ananda from west and looking straight down the passageway into the sanctuary's inward section one sees the lower some portion of a couple of legs and feet. That are the legs and feet of the statue of Siddhartha Gautama Buddha (c 563 to c 483 BC), which is confronting west. Gautama Buddha is the 28th Buddha in a long queue that is covered in the fog of myth and legend starting with Tanhankara the first Buddha.
In the specialty toward the east is a statue of Konagamana, the 26th Buddha, in the one toward the north Kakusanda, the 25th Buddha and the one toward the south Kassapa, the 27th Buddha. The present statues are altogether made of wood. There are individuals who say that Kassapa (south) is made of bronze. This isn't genuine in light of the fact that lone the first was. This duplicate here is cut out of teak. The statues of Kakusanda and Kassapa are said to be the first statues though those of Gautama and Konagamana are later duplicates. The firsts were crushed; Kassapa in all likelihood by chemists. Concerning Konagamana some say by a fire touched off by a reckless admirer's light or oil light others say by sanctuary criminals. The reality remains that new statues must be made.
The statue of Gautama Buddha has a tallness of 28.5 feet/9.5 meters. The majority of the four Buddha statues are of nearly a similar tallness and delineate the individual Buddha in a standing stance however with two distinctive cape styles and additionally unique arm positions and hand signals. These diverse emblematic stances/motions and methods for situating legs, feet, arms, hands and fingers are called 'mudras' what is Sanskrit and signifies 'sign' or 'token'.
To secure the Ananda the designer put by lord Kyanzittha's directions, outside the sanctuary eight nat pictures and a sum of one hundred forty eight peaked chinthes'. These statues are guarding the passages, the edges of the base and porches/rooftops and in addition the sikhara of this sanctuary.
The hall dividers and the upper patios are fixed with one thousand four hundred fifty tiles. At the base are around four hundred of them. They are delineating scenes from the 'Jatakas'. The name Jataka has its foundations in the Sanskrit word for 'birth' or 'conceived under'. They incorporate the greater part of the stories of Siddhartha Gautama Buddha's distinctive presences previously he moved toward becoming 'Buddha', the 'Illuminated one'. The early group of Buddhism, the 'Tipitaka' (Pali for 'Three Baskets'), involves a sum of five hundred forty seven such stories. These Jatakas that likewise contain references to the prior Buddhas and Gautama Buddha's lessons on mental train and profound quality are utilized to educate about good temperances and the law of 'Karma' (Sanskrit for 'activity'). Karma is 'ones activities and their impact on this or potentially future lives'. The story is delineated here at the Ananda Temple exceptionally point by point in a progression of 80 most skilfully cut tiles. It takes genuine experts to make something as excellent as this. These ones are not as common Terracotta tiles but rather cut from volcanic stones from Mt. Popa. They are masterminded in two levels and can be seen on the lower some portion of the external way of the Ananda Temple.
Aside from the way that the Ananda sanctuary is one of Burma's fundamental Buddhist journey locales that is during the time of extensive significance to Buddhists (and in addition remote guests) the surely most essential time is the Burmese month of Pyatho (December/January) when the Ananda Temple Festival happens. Different pagodas and sanctuaries too have celebrations and a large portion of them are commended amid the dry season yet the greatest of all is the Ananda celebration. This year (2015) the celebration is commended from the fourth of January to the nineteenth of January and the celebration's high-time is on the day preceding the full moon day, at the full moon day and the day after the full moon. Its peak is a great morning parade in the sanctuary's patio on the full-moon day of Patho. This yearly held celebration is an especially huge, vivid, engaging and upbeat undertaking and an occasion not to be missed while being in Bagan.
The fundamental purposes behind the celebration are to venerate Gautama Buddha, praise the establishing of the Ananda Temple, remember critical occasions in its history, for example, its sanctification and gather gifts for the subsidizing of repair and upkeep of the sanctuary structures.
One of the intriguing parts of this celebration are maybe the processions of bullock-trucks with individuals that originate from everywhere throughout the nation to offer th
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